Ok, Full disclosure, this is not my work. I'm part of a writing group called "Indie Author Group" on Facebook. It's a great group, and I recommend it to any authors out there who are seriously looking to get help with their work. This is a document from one of the admins of the page. She's a well established author, and really knows what she's talking about.
To traditionally publish or to self publish, that is
the question!
In many ways it's the difference between delayed
gratification (traditional or legacy publishing) and instant gratification
(self-publishing), between the security of having a large organization behind
you or standing on your own and between the possibility of having your book on
a bestseller or award lists.
There are advantages and disadvantages to both, but if
you believe that promotion/marketing is the advantage to traditional
publishing, think again. Even the best known writers have their own Facebook
pages and/or blogs to keep in touch with their fans - and to market. Their
publisher expects it, especially of a new writer. Search for any of your
favorite writers, and you'll find some way to reach them.
Far too many writers view self-publishing as the
easier path, because you decide when and where to post your books. It's not. In
self-publishing, it's all on you. And once again, far too many writers do see
it as the easier way. They don't see the need to be edited, or have a proper
cover artist and formatter to set up their manuscript.
However, there are definite advantages - a traditional
publisher will want you to stick to one genre, and they have definite views
about Points of View from omniscient (which they hate) to first person (ditto)
to third person.
If you decide that traditional publishing is the path
you want to take an agent can help you find the right publisher, although you
can submit directly. Use a program called Querytracker to find an agent, or
research to see which publisher deals with books like yours.
Traditional Publishing Before submitting either to an agent or a publisher,
complete your novel. Polish your manuscript using the Editing 101 document here
and a book like The Elements of Style. Then, if you're wise, get it edited by a
qualified editor. BTW, the publisher will still do their own editing. Even so,
you still want to submit a professional product.
Write a query letter. See Query shark - http://queryshark.blogspot.com/ for how to write a good one.
That query letter should be one page, detailing the
genre of book and the length, contain a short description or blurb, and an
introduction to the writer. No cheating by changing font size to fit - should
be TNR 11 or 12 or a variation thereof. Then wait. Write book two if you
haven't already. If you have, write book three. Some publishers can take up to
90 days to respond to your submission. (One took over a year to send a
rejection notice to me. By then I'd already sold the book to someone else.)
Wait for a rejection letter or a request for partial or full before submitting
elsewhere - especially if they request that you don't do multiple submissions.
If they request a partial or full, send EXACTLY what they request. Consider it
a test - they're testing you to see if you follow instructions.
Wait for a rejection letter, acceptance, or request
for revise and resubmit.
If accepted, an agent will negotiate the best deal
they can for both the writer and the publisher. Anyone who thinks that an agent
works for them is naive. They are part of the gatekeeping process - finding a
manuscript that they think will sell in the market that exists at that moment.
If you don't have an agent, have the contract reviewed by a contract attorney.
You want to understand who owns the rights to everything from the overseas
contracts to any possible film contracts.Prepare for the editorial process.
Most editors are on your side, but their job is to make your manuscript fit
their publisher and to make your work shine. That's not just spelling and grammar
but repetition or unnecessary detail. That being said, be ready to kill your
darlings. If that perfect sentence doesn't advance the story, it will be cut.
And you may be asked to make major changes. Remember, the editor works for the
publisher, not you.
Once the editing process is complete, a release date
will be announced and a cover created. You may have some input into the cover
but not much. Don't expect the cover artist to recreate a scene in your head on
the cover - the publisher will make it fit their covers.
It can take as much as a year to two years before you
get that contract. (Not including the amount of time spent sending in
submissions.)That contract? You'll be offered anywhere from 15% to 30% of the
proceeds from your book (unless you're a big name writer where you might
receive 42%). Out of your proceeds, you'll pay your agent, if you have one.
Market, market, market. It's up to you to make your
first book matter to readers. The publisher will expect it. They'll also expect
you to create and maintain a web page, Facebook author page and Twitter
account. Use them. Announce release dates. Arrange promotion via FB and other
promotional sites.
Self Publishing
Technically, you can create a document in Word and a
cover yourself, and put it up on Amazon or Smashwords. Don't do this. A poorly
prepared, unedited book with an unprofessional cover is an announcement that
you're an amateur, and a rank amateur at that. At the very least, use Editing
101 and the Manual of Style to polish it as much as possible.
If you haven't already, write book two, and then book
three.
Meanwhile, before releasing book one find beta
readers, an editor, formatter and cover artist. Polish your manuscript as
above. Beta readers are readers willing to look at your manuscript for free to
catch basic errors in grammar and continuity. Send to the editor of your
choice. Here is where self-publishing has the advantage - the editor works for
you, not the agent, and not the publisher. However, the job remains the same,
to make your manuscript shine. Ignore their advice at your peril.
Choose a cover artist - look at the samples on their
web page, find examples you like from books in Amazon or Smashwords and tell
your cover artist what it is you like about them. Don't expect a cover artist
to recreate a scene in your head for the cover - they aren't mindreaders, and
it will be prohibitively expensive to purchase the rights to all those images.
Most will ask for the blurb (short description) of the book, and details of
main characters. Have no expectations. Consider using premade covers for the
short term.
Send edited manuscript and cover to formatter (or
learn to DIY). Create and maintain a web page, Facebook author page and Twitter
account. Use them. Announce release dates. Arrange promotion via FB sites. Do a
cover reveal to attract readers.When release date arrives, promote but don't
spam. The best marketing for book one is book two, etc. Depending on the
vendor, you'll receive anywhere from 30% to 70%.
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