Tuesday, December 16, 2014

Havoc




     Havoc by Steven F. Freeman is an Action Spy-type/Conspiracy novel set mostly in Italy.

     The one issue I have with this genre is the superman in the real world hero.  It's nothing against Mr. Freeman, but just the genre in general.  A secret agent, or in this case an disabled war vet, is fighting against an entire establishment to uncover a horrible truth.  The settings for these types of novels are supposed to be based in the real world, yet the hero is always a one-shot-kill kind of guy with insurmountable other talents.  I know that it creates a level of excitement for the story, and the hero has to stand out -because hey he's the hero- but I think it would be interesting if one of these types of novels had a more realistic, flawed hero.  

     I do appreciate Mr. Freeman's effort to give us something different by giving the hero a war wound which limits his prowess, but the limitations seem to disappear during the action sequences and then suddenly come back after.  I can appreciate this because I have a disability myself, and often times in the heat of the moment you can ignore the pain only to have it return with a vengeance. I hate to give a criticism without at least some sort of advice to solve the issue, but this genre is not my forte, so I don't know how I would correct it if I were him.  However, it did bother me a few times during the read.  Maybe make him miss a few more shots, or have a bad guy not so mortally wounded (and I don't mean when the hero meant to hit him in the leg).  Give them a gut shot, where they bleed out a little slower.  Make the hero limp more, or have the disabled leg interfere more with his ability to maneuver.  Own the injury.  For most disabled people their disability is a huge consumer of their physical efforts, even if they won't admit it out-loud.  Their limitations become part of their everyday life, so they don't feel like limitations, and the person can rise above their disability.  However, the disability still remains.  They just find a way to work around it.  You could work that into the story.  He can put down the pain most of the time, but it incapacitates him sometimes.  He walks with more than just a limp after physical exertion.  The story starts out great in recognizing the limitation, but it seems to have been forgotten as the story wears on.  I don't mean to base the whole story around it, but the limitation is fairly inconsistent. 

     Okay, so on to the synopsis:

     Imagine a memory chip which stored information on a sub-atomic level, using the actual electrons of atoms.  A chip the size of modern microchips would be able to hold almost limitless information.  Such storage capacity would be worth lives.  In Havoc, it is worth many lives.  Companies around the world are aware of the possibility to create such technology, and they are racing to solve the puzzle and be the first to capitalize on the idea.  Vidulum seems to have made the largest break in solving the puzzle, and a corporate theft soon follows.  Alton Blackwell, the protagonist, gets caught up in the aftermath.

     Alton is a war veteran with a disabling wound to his leg.  He was an information officer (Cryptologist) in the military, and has since found a use for his IT skills in the private sector.  He takes his girlfriend, Mallory Wilson, on a surprise vacation to Italy.  The two have a long history together which dates back to his military days, though it wasn't romantic until more recently.  Mallory still works for the government as an agent in the FBI.

     On the third day of their vacation, while eating at a restaurant another couple had referred them to, the couple hear a gunshot and rush to see where it came from.  They arrive just in time to see a man standing over the victim in the dark.  The man runs, and Alton sees two other assailants in the dimly lit Colosseum.  Instead of trying to pursue the assailants he chooses to help the victim.  The man turns out to be the man who referred them to the restaurant to begin with.

     The police find the situation fishy, and question Alton and Mallory at length, but Mallory's service in the FBI remove them from the list of suspects.  However, the couple is asked to help in the investigation because they were the only ones to see the assailants (even though the dark prevented them from being able to give a description).  

     When the police are done with them, the couple tries to move on with their vacation.  However, they find themselves being pulled back into the ever-escalating investigation.  Mafia, assassins, foreign and domestic agents, corporate spies, and just about anyone else you could imagine are fighting each other to get at the information the man at the Colosseum was murdered for.  Alton and Mallory are caught in the middle, and must fight their way out the only way that will keep them both alive, by solving the case.  

     Betrayal, action, love, mystery, plots, and conspiracy... The story was excellent, if a bit long.  I enjoyed the multilayered plots and competitions to get at the microchip technology.  However, I hate to say it, but it was fairly predictable.  I guess this type of story has been done too many times. 

     I really liked that Mr. Freeman didn't just end the story with the culmination of the plots about the microchip technology coming to an end.  After all, Alton and Mallory had a life before they were involved with the mess, and it was good to see them get back to it afterward.  Most of these types of story just leave you hanging with the couple embracing as the fires burn in the background.

     In all, I would give the story


Monday, December 15, 2014

Much Ado About Nothing





     Joss Whedon's adaptation of Much Ado About Nothing is safe.  If you are watching this to understand Shakespeare's play for school, or something, than this is a good way to go.  If you are watching simply for entertainment value, there are a lot of better adaptations.

    You take a big risk when you do Shakespeare; even bigger if you try to make a modern adaptation for Shakespeare.  Most people have very strong feelings one way or the complete opposite on the spectrum for Shakespeare's work.  If you are staying true to the scripts then making a modern adaptation can be a disaster.  This one was not terrible, but it also took no risks.

     The acting, however, was spectacular.  I loved Amy Acker as Beatrice.  She had a perfect balance of disagreeable, neurotic, and contriteness.  I've seen her in a couple of other things which are way out of this genre (agents of shield, warehouse 13, etc.) so I was pleasantly surprised by her broad spectrum of acting abilities.  She was almost a bit too charming, but pulled of the character quite well throughout.

     Alexis Denisof really surprised me as Benedick.  He's been in a lot of things, but I recognized him as the idiot Sandy Rivers From How I Met Your Mother.  This was a total different role, and he played it off quite well.  I also think he was the only actor to really take liberties with the character.  He didn't stray from the script (at least not from my little knowledge of Shakespeare), but his expressions gave a more pensive portrayal of Benedick instead of the classic Benedick who is constantly performing for the sake of others around him.

     I love Nathan Fillion in everything.  I first took note of him in Serenity (probably my all-time favorite Sci-Fi film). I think Michael Keaton was my favorite Dogberry, but Fillion held his own playing the dim-witted constable. 

     In all, the movie was well acted, and true to the script.  Whedon took very little risks, but that might have been what helped pull off the modern adaptation.  At least he wasn't calling guns swords and daggers like some remakes of the master's plays .:;Coughes...Baz Luhrmann::.  Don't get me wrong, I loved Moulin Rouge, The Great Gatsby, and Strictly Ballroom, but Romeo + Juliet was just bad.  Sorry Mr. Luhrmann.

     I give this movie 


Friday, December 12, 2014

Pentatonix



     Okay, so Pentatonix is not an indie group, but they are OH SO GOOD!  I have a hard time getting into Christmas music because it is mostly the old, boring stuff, and after listening to it since Halloween (Michelle...) I'm just not in the mood when Christmas rolls around.  So, I love when a group can make the old classics sound new.  Pentatonix is awesome at this.  If anyone is looking for a last min. Christmas gift, this is it!.  Their Christmas CD is only $8 here >> Amazon. Here's just one of their songs.



Thursday, December 11, 2014

I Am Superman



I Am Superman


I can fly off a soaring cliff (once, and only straight down)
I can jump higher than a building in a single bound (buildings don't jump)
I can stop a speeding bullet (again, just once, unless a couple were shot one after another)
I can go from state to state in a blink of an eye (seriously, four corners isn't too far from my home)
I'm strong enough to lift 10 men (underwater)
I absorb radiation from the sun (ignore the burnt red skin)
I can move at the speed of light (you can see me moving can't you?)
So you can see, I am Superman.

     When we are young, and a few of us who never grew out of it, we think we can do anything.  The possibilities for the future are endless.  We become teenagers and our interests change, limiting those possibilities.  As we first enter into adulthood, we get a lot more responsibilities, and we often realized that we won't be able to do everything we wanted, or at least we cross off the more "frivolous" endeavors from our list.  As we start college we are forced to choose one or two things.  It takes so much to become educated in those fields that we decide that it wouldn't be worth trying something else.  Most stop there with their progression.  We meet our spouses, and have to fuse two lives together; this often means we must let go of more of our "childish dreams" to accommodate "reality".  Then... we have kids...  We give up almost everything we wanted to make their lives "better".  We get to visit those old care-free days when we play with our little ones, but we "know" that we have to let those dreams go.  When kids move out, we're alone (hopefully still with our spouses) and we wonder, "what happened to my life?"

     J.K. Rowling didn't publish her first book until she was 32, which took about 5 years to become truly popular.

     Stan Lee didn't create his first successful comic book until he was 39.

     Gary Heavin didn't open his first Curves Fitness Ctr. until he was 40.

     Samuel Jackson didn't get his first award-winning role until he was 43.

     Henry Ford didn't create the Model T until he was 45.

     Momofuku Ando didn't create instant ramen noodles until he was 48.

     Julia Child didn't get her first cookbook published until she was 50.

     Ray Kroc didn't buy McDonald's until he was 52, where he grew it into the largest fast food restaurant in the world.  

     Harland Sanders (Better known as Colonel Sanders) didn't franchise Kentucky Fried Chicken until he was 62.

     Anna Mary Roberson Moses (better known as grandma Moses) didn't start painting until she was 78.

     The list goes on and on, and their are gaps with thousands of names between the names I've given here.

     We are all "Superman/Superwoman".  There is something you can do which will forever change the world.  It will touch the lives of millions.  Inspire small children.  Change politics.  Who knows?  It's in you.  You can either let your "adult" kill that idea, or nurture and grow it until it becomes a revolutionary thing.  Don't let a silly thing like age, financial circumstances, religion, race, up-bringing, or education stop you.  And especially don't let those around you tell you no.  It's your life, and your dream.  Make it come true.